Charlie Kaufman

From Open Encyclopedia

Image:Kaufman22.jpg Charles Stuart Kaufman (born November 1, 1958 to a Jewish family in New York City) is an Academy Award winning screenwriter, identified by Premiere magazine as one of the 100 most powerful people in Hollywood.

1 Life and Work
2 Theatre
3 Literature
4 Quotes
5 Selected Filmography
- 5.1 Writer
6 References
- 6.1 External links
- 6.2 More Interviews

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Life and Work

He got his start in television, writing two episodes for Chris Elliott's Get a Life, as well as a couple of dozen other episodes of shows like Ned and Stacey and The Dana Carvey Show.

He first came to national attention as the writer for Being John Malkovich, earning an Oscar nomination for his effort and a BAFTA. He also wrote Human Nature, which was directed by Michel Gondry and then worked with Spike Jonze again as the screenwriter for Adaptation., which earned him another Oscar nomination and his second BAFTA. Adaptation featured a "Charlie Kaufman" character that is a heavily fictionalized version of the screenwriter; in real life, however, he does not have an identical twin brother, is married rather than single and hardly experienced that story's fabulist drama.

He also penned Confessions of a Dangerous Mind, a biopic of Chuck Barris, a gameshow host who believed he was a CIA hitman; this was directed by George Clooney in his directorial debut. Kaufman angrily criticized George Clooney for making dramatic alterations to the Confessions of a Dangerous Mind script without consulting him whatsoever. Quote by Kaufman in an interview with William Arnold: "The usual thing for a writer is to deliver a script and then disappear. That's not for me. I want to be involved from beginning to end. And these directors [Gondry, Jonze] know that, and respect it."

His most recent film script and story is for Eternal Sunshine of the Spotless Mind, his second film with director Michel Gondry, for which he received his first Oscar for best screenplay and third BAFTA. David Edelstein described the film in Slate as "The Awful Truth turned inside-out by Philip K. Dick, with nods to Samuel Beckett, Chris Marker, John Guare—the greatest dramatists of our modern fractured consciousness. But the weave is pure Kaufman."

An interesting pattern in Kaufman's works is that they often focus on an introverted, somewhat shy, male protagonist and a more dominant female figure. This is true of Eternal Sunshine of the Spotless Mind (Joel/Clementine), Adaptation (Charlie) and Being John Malkovich (Craig/Maxine).

He lives in Pasadena, California and owns a home in the fabled Kennedy Compound.

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Theatre

Recently wrote and directed the play Hope Leaves the Theater, a segment of the sound-only production Theater of the New Ear. This play starred Meryl Streep, Hope Davis and Peter Dinklage. In the world of the play, it was the last thing Charlie Kaufman wrote before he committed suicide. The title actually refers to Hope Davis' character "leaving the theater."

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Literature

Among Charlie Kaufman's favourite writers are Franz Kafka, Samuel Beckett, Stanisław Lem, Philip K. Dick, Flannery O'Connor, Stephen Dixon, Shirley Jackson and Patricia Highsmith. There are also references in Kaufman's work to another literary figure, Italo Svevo. One of his characters is named after the Italian Modernist writer (Mary Svevo in Eternal Sunshine of the Spotless Mind), and Svevo's novel La Coscienza di Zeno (Confessions of Zeno, or Conscience of Zeno, 1923) also seems to be important in connection with Kaufman's writing.

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Quotes

"Consciousness is a terrible curse. I think. I feel. I suffer."

- Craig Schwartz (John Cusack) in Being John Malkovich

"I liked Woody Allen when I was younger. The early Woody Allen is a complete mess, which I liked as a kid, but he was also a person that I could aspire to be, you know, short Jewish guys up there on the screen. I wanted to write comedies when I was younger, and yeah I liked his style. But I had a different idea of things then." (...)

"I don’t really have anything against stories, but I just want to feel something happening. I read something that Emily Dickinson said that I’m going to paraphrase: you know something’s poetry if a shiver goes up your spine."

- In an Interview with Michael Koresky and Matthew Plouffe, Reverse Shot Online, Spring 2005

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